第二十五期 Issue 025

芝麻羔 X 表演場
願賜平安的主、隨時隨事親自給你們
平安。願主常與你們眾人同在。

DREAMERGO X THE ART VENUE

Now may the Lord of peace Himself continually grant you peace in every circumstance. The Lord be with you all!

封面故事:
「2020年台灣月- 超・台灣」
傳統與現代 大師與新生代 創造台灣文化軟實力
專訪 新古典舞團藝術總監盧怡全
專訪 漫畫《神之鄉》創作人左萱

專題故事:
《微波國際新媒體藝術節2020》
以媒體藝術 探索真真假假
專訪微波國際新媒體藝術節節目總監鄺佳玲及台灣新媒體藝術家陶亞倫

專題故事:
以最強技術支援與業界在疫情中同行
Cityline推出Cityline Digital Theatre

場主的話

香港的表演場地終於在10月重開。過去一個月，我每個週末都進劇場看兩個演出。能夠回到劇場裡面看演出， 實在是很開心的事。一方面可以觀賞現場演出，另一方面，又可以在演出前 後及中場時間跟業界朋友聚頭，聊聊近況。

但是，全球仍然受著疫情持續所困擾，多個國家再收緊限聚令，迫使不少演出場地關閉。因此，面向未來，業 界需要努力探索出路，發掘更多可能，可以彈性調整製作內容及展演方式，令大眾可以在任何情況下，仍然可以接觸藝術，讓藝術與生活緊扣。

陳慧明
表演場創辦人及主編

Words from the Founder

Hong Kong’s performance venues finally re-opened in October. During the past month, I visited theatres to see two shows every weekend. It was great to be back, watching live performances and meeting with friends in the industry before, during, and after shows to catch up and chat.

However, the world is still plagued by the ongoing pandemic, and several countries are tightening restrictions and closing performance venues again. Heading into the future, the industry needs to make great efforts to adapt. They need to explore new ways, develop new opportunities, and learn to become agile with content and productions. This will enable the public to maintain their access to art under any circumstances, and keep life and art closely intertwined.

Winona Chan
Founder & Editor-in-Chief, The Art Venue