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城市當代舞蹈節2019 CCDC’s City Contemporary Dance Festival 2019 - 《Almost 55 喬楊》

《Almost 55 喬楊》.jpg

城市當代舞蹈團

我記得 我坐上四十個小時的火車
我記得 那是一九八七年
我記得 第一次從北方到了南方
最後 來到了香港

作品以個人獨舞記錄喬楊多年來彌足珍貴的舞蹈生涯與歷練,同時思考及迎接舞者生涯的另一起步 。
今年一月公演時好評如潮,如今於「城市當代舞蹈節2019 」載譽重演 。

合辦:西九文化區

場地: 西九文化區藝術公園自由空間

演出日期 / 時間
19.11.2019 (二) 8pm
演出長約一小時,不設中場休息

場地
西九文化區藝術公園自由空間大盒

門票
HKD$300(不設劃位)

門票:https://www.westkowloon.hk/tc/almost55#tickets

 

創作團隊

編舞:周書毅
演出:喬楊
服裝顧問:林璟如
佈景及燈光設計:李智偉
錄像設計:黎宇文
作曲及音響設計:許敖山

周書毅

生於台灣,十歲習舞,二十歲開啟獨立舞者與編舞的藝術生涯,透過舞蹈審視生命,連結身體與社會環境的關係。其作品曾於英國沙德勒之井劇院、紐約秋季舞蹈節、德國杜塞爾多夫國際舞蹈博覽會、法國外亞維儂藝術節、埃松省舞蹈平台中發表,並獲香港藝術節及台灣兩廳院委託創作演出。周書毅是台灣「驫舞劇場」創始人之一,他的舞蹈旅程中另一個起點與轉折——「周先生與舞者們」展開了藝術與社會的更多連結。近年創作專注於亞洲身體語彙的探索,而表演上,持續嘗試與不同領域的藝術家合作。


《Almost 55 》

City Contemporary Dance Company

I remember it was 1987
Such a long journey, 40 hours on the train
All the way, from the north to the south
Eventually, I arrived in Hong Kong

This work retells Qiao’s many precious years of dancing experience, while envisioning and embracing a new chapter of her stage career.

Its first stage appearance in January 2019 received rave reviews; today we celebrate the return of this solo performance by Qiao Yang.

Co-presented by West Kowloon

Venue: Freespace Art Park West Kowloon Cultural District

Show Date / Time
19.11.2019 (Tue) 8pm.
Approximately 1 hour without intermission

Venue
The Box, Freespace, Art Park, West Kowloon Cultural District

Price
HKD$300 (Free seating)

Ticketing: https://www.westkowloon.hk/en/almost55

CREATIVE TEAM

Choreography: QIAO Yang
Performer: CHOU Shu-yi
Costume Consultant: LIN Ching-ju
Set and Lighting Design: LEE Chi-wai
Video Design: Maurice LAI
Music Composition and Sound Design: Steve HUI

CHOU SHU-YI

Born in Taiwan, Chou Shu-yi started his dance training at the age of 10, and began his artistic career as an independent dancer and choreographer in his twenties. Through dance, he re-examines his own life, connecting dance and body with environment and society. He has performed his choreography or taken part in artist residencies at Sadler’s Wells Theatre in London; Fall for Dance Festival in New York; Internationale Tanzmesse in Germany; Festival d’Avignon OFF and Le Collectif Essonne Danse in France; and created commissions for Hong Kong Arts Festival and Taiwan National Theater and Concert Hall. He co-founded Horse Dance Company (Taiwan) in 2004 and established Shu-Yi & Dancers (Taiwan) in 2011 to explore further connections between art and society. Chou has focused on an exploration of vocabulary in Asian bodies in recent years. He continues to collaborate with artists from different fields.